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DTSTART;TZID=America/Los_Angeles:20260415T130000
DTEND;TZID=America/Los_Angeles:20260415T140000
DTSTAMP:20260603T082834
CREATED:20260202T182420Z
LAST-MODIFIED:20260202T182420Z
UID:77-1776258000-1776261600@www.krishambrick.com
SUMMARY:Free Talk: History of the Movie Musical
DESCRIPTION:The first commercial film to use sound\, 1927’s The Jazz Singer\, was in a sense a musical. Why did movies sing almost before they could talk\, and what have movie musicals meant to pop culture over the past hundred years? Are they merely escapist fluff\, or can they offer commentary along the way? \n 
URL:https://www.krishambrick.com/event/free-talk-history-of-the-movie-musical/
LOCATION:Greenwood Senior Center\, 525 N 85th St\, Seattle\, WA\, 98103\, United States
ATTACH;FMTTYPE=image/webp:https://www.krishambrick.com/wp-content/uploads/2026/02/Busby-Berkeley-Footlight-Parade.webp
ORGANIZER;CN="Greenwood Senior Center":MAILTO:GSC@phinneycenter.org
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DTSTART;TZID=America/Los_Angeles:20260206T100000
DTEND;TZID=America/Los_Angeles:20260206T120000
DTSTAMP:20260603T082834
CREATED:20251215T192605Z
LAST-MODIFIED:20251215T210527Z
UID:45-1770372000-1770379200@www.krishambrick.com
SUMMARY:CRI Class: Horror as Social Commentary
DESCRIPTION:4 Fridays\, 2/6/2026 – 2/27/2026 \nHorror\, as a genre\, has often been dismissed as low-brow\, inexpensive\, or sensationalist fare. But in spite of\, or perhaps because of\, this dismissal\, the history of horror is also a history of what we\, as a society\, fear. In this class\, we’ll take a look at how our concerns have been mirrored by movies over time and what horror says about those fears. Starting with its origins in Gothic fiction\, we’ll trace modern horror from the silent era through the monster films of the 30s\, the atomic era and the Red Scare of the 50s\, and onward with madmen-next-door\, environmental threats\, technological innovations run amok\, religious extremism\, immigration\, and other fears. And we’ll look at how vampires\, zombies\, ghosts\, haunted houses\, and all the other trappings of the genre have become flexible containers for what really scares us about the other… and ourselves.
URL:https://www.krishambrick.com/event/horror-as-social-commentary/
LOCATION:Creative Retirement Institute\, 7020 196th St SW\, Lynnwood\, WA\, 98036\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.krishambrick.com/wp-content/uploads/2025/12/scary-movie-article-pic.jpg
ORGANIZER;CN="Creative Retirement Institute":MAILTO:cri@edmonds.edu
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DTSTART;TZID=America/Los_Angeles:20260106T130000
DTEND;TZID=America/Los_Angeles:20260106T140000
DTSTAMP:20260603T082834
CREATED:20251215T191247Z
LAST-MODIFIED:20251215T210534Z
UID:34-1767704400-1767708000@www.krishambrick.com
SUMMARY:Free Talk: A Century of Sherlock
DESCRIPTION:“When you have eliminated the impossible\, whatever remains\, however improbable\, must be the truth.” But what does that mean when it comes to what may be the most prolific fictional character on screen? From 1908 to 2025\, Holmes has appeared on screens big and small over 250 times. The character affords a wide variety of interpretations and has been popular with some of the best performers of our times. Grab the nearest deerstalker hat\, a briar pipe\, and your best knowledge of deduction as we uncover “What is the truth of Sherlock Holmes?”
URL:https://www.krishambrick.com/event/a-century-of-sherlock/
LOCATION:Greenwood Senior Center\, 525 N 85th St\, Seattle\, WA\, 98103\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.krishambrick.com/wp-content/uploads/2025/12/Sherlock-class.jpg
ORGANIZER;CN="Greenwood Senior Center":MAILTO:GSC@phinneycenter.org
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DTSTART;TZID=America/Los_Angeles:20260105T130000
DTEND;TZID=America/Los_Angeles:20260105T150000
DTSTAMP:20260603T082834
CREATED:20251215T192210Z
LAST-MODIFIED:20251215T210550Z
UID:41-1767618000-1767625200@www.krishambrick.com
SUMMARY:CRI Class: Book to Film - The Art of Adaptation
DESCRIPTION:First of four classes: 4 Mondays\, 1/5/2026 – 2/2/2026\, no class 1/19/2026 \nFrom the beginning of film\, producers and directors have sought the works of the past to inspire their own. At first glance\, that might seem obvious–a story is a story\, and we’ve always had our favorites. But in this class\, we’ll look at the different ways books have made their way to the screen\, both the reasons (popularity\, financial incentives\, established credibility\, creative and interpretive opportunities) and the concerns (medium\, time constraints\, fidelity\, audience interpretation\, visual complexity). What makes a “good” adaptation? Why are certain works\, like A Christmas Carol\, Frankenstein\, or Les Misérables\, adapted over and over? How do you translate words “faithfully” into images\, sounds\, and movements? And what are some of the most successful–and infamous–film adaptations of the written word?
URL:https://www.krishambrick.com/event/book-to-film-the-art-of-adaptation/
LOCATION:Creative Retirement Institute\, 7020 196th St SW\, Lynnwood\, WA\, 98036\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.krishambrick.com/wp-content/uploads/2025/12/camera-books-vintage-book-preview.jpg
ORGANIZER;CN="Creative Retirement Institute":MAILTO:cri@edmonds.edu
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